Cut-glass chandeliers were among the most sought-after luxury products of the 18th century. Only the super-rich could afford to buy them. Thus, chandeliers were often designed to match the interior of a room, meaning that they were custom-designed.
Regency Explorer interviews an elegant chandelier from 1815 about the makers, customers, and the influences from fashion, science and politics.
When 18th century-people wore clothes that were called “undress”, it did not mean anything … incident. “Undress” was the word for informal fashion, something worn at home. However, “undress” in the time of Jane Austen was much more formal than today’s informal fashion is. The famous “banyan” – a morning gown for men – cannot be compared to a convenient jogging suit or a bathrobe. The banyan was an exquisite piece for gentlemen, proving their taste and wealth. It was perfectly fine for a host to receive friends and business partners when wearing a banyan.
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France, center of fashion for all matters of beautiful living! In the 1. half of the 18th century, the court indulges in heavy scents. Perfume is a fashion statement as well as a necessity: scents are used to protect oneself from bad, contagious smells, and they are also a symbol of social power. But progress in medical knowledge leads to a new view on scents, and with this, new fragrances become fashionable. This so-called olfactory revolution is eagerly adopted by British noblemen and -women on their Grand Tour of the Continent …
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For a young lady few things would be more satisfying than being a sought-after dancing partner at a glamourous ball. But if she was in constant demand, how would she keep track of the partners engaging her for the waltz or the cotillion later in the evening? And how would a gentleman secure a dance with her?
Keeping track of the gentlemen who had promised a dance in the course of the evening was done – on the Continent – with the assistance of a so called ‘carnet de bal‘ (a dance card). A gentleman would ask a lady to write down his name on the card a for a specific dance. These small and often precious carnets de bal were very popular in France and Austria throughout the 18th century.
In Britain, the dance card became fashionable at around the turn of the 18th century. The carnet de bal initially was often less elaborate than the Continental model.
Recent research shook food historians and the community of 18th-century enthusiasts alike: The beloved British dessert, Apple Charlotte, was not invented by the famous chef Marie-Antoine Carême! Credit for the sweet creation made of apples, white bread, butter, and sugar was given to a certain John Mollard. – But who was he?
Mr. Mollard was a leading chef and had run a number of prestigious restaurants catering to high-quality customers in the period from the 1780s to 1830. However, it is doubtful that he did indeed invent the Apple Charlotte.
In the 18th century, Venice was among the top destinations of the Grand Tour. The city was experiencing a period of peace, and economy and arts flourished. This attracted rich British tourists. They indulged their sense of luxury, spent their days at leisure at Caffè Florian or Caffé Lavena, and enjoyed the opera, gambling, dancing, fireworks and spectacles. Buying art was also high on the list of things to do, and paintings with views of the City by sought-after artists such as Antonio Canal (Canaletto) made an excellent souvenir. Of course, pretty trifles were taken back to Britain as well. These could, e.g., be hand-held fans. Let’s have a closer look at one of these beautiful items.
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The bright yellow winter aconite provides welcome colour to British gardens early in the year. Winter aconite blooms as early as January, and grows en masse under trees. Did you know that the 18th-century fashion for landscape gardens brought the little plant into fashion? Continue reading
Simply by its alluding name the Carlton House desk immediately catches the attention of a Regency Enthusiast. The imagination produces an exquisite piece of furniture made of exotic woods, rich in ornaments, and designed for no less a person than the Prince Regent. Though some antique dealers like to dwell on this lovely image, it is but a half-truth.
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Compiègne was one of three seats of the French royal government. The royal residence we know today, the Château de Compiègne, was built for Louis XV. Napoleon restored the château after it was left gutted during the French Revolution, and he ordered it to be made habitable again in 1807. He had its layout altered, a ballroom added, and the garden replanted.
But what did the restless French emperor do with another palace? Well, he lived there with his young bride, Marie-Louise, and it was there where they spent their first night together. Continue reading
In this post:
Panoramic scene ‘L’Hindoustan’ in the Garden Room of Basildon Park / England
Wallpaper has been known since at least the 15th century. Starting as a rare luxury item for the elite, wallpaper became more popular in England at the beginning of the 18th century. By then, wallpaper had become a cheap alternative to tapestry or panelling. 1712, the government even imposed a tax on it. Despite the taxation the demand for wallpaper grew in the mid-18th century.
Most wallpapers had been brought to England by the East India Company from China, where Chinese artisans produced hand-painted, dedicated wallpaper for their rich English customers. By the end of the 18th century, producers in France specialized in printed wallpaper became an important competitor on the market. Continue reading
