Amelia Jane Murray (1800-1896) was an amateur watercolourist. Between 1820 and 1829, she painted fairies as tiny female figures dressed in neoclassical garments, sitting among flowers or riding on insects. Her watercolours, though never exhibited during her lifetime, have enchanted millions since they were published in 1985. The reasons behind Amelia’s fascination with fairies remain speculative. In this post, I offer a new interpretation of the influences on Amelia’s art based on the socio-cultural circumstances of her childhood and youth.
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The Sisterhood of Patrons and Artists
The painter Angelica Kauffman (1741-1807) was t-h-e female celebrity artist of the 18th century. In the story-telling about her career start, men play a vital role: as key events for her recognition as a serious artist in Britain are considered the patronage by the painter Joshua Reynold, and celebrity actor David Garrick sitting for a portrait that caused a stir in the art world. I don’t aim to minimize the influence of male clients, colleagues and patrons on Angelica Kauffmann’s success. However, in this article, I highlight the role of female sponsorship and cooperation during her career in London (1766 – 1781), as it shows how women supported each other in a world that belonged to men.
Continue readingTake a look: paper peepshows
There is magic in a box! In the 18th century, a closed box with a peephole offered entertainment and wonder. Through the peephole you could take a closer look at the objects on display inside the box. Scenes on display were, e.g., street views, military actions, religious themes, etc; it could also be sexually explicit.
Continue readingDaring & Skill: 10 Women who Conquered the Art World
Art had long been the domain of men. However, from about 1760, women in Britain and France made a splash in painting, engraving and even, sculpturing. Most famous are today the painters Élisabeth Vigée Le Brun and Angelika Kauffmann, both superstars of their time. However, many more women made careers in the art scene. Let me introduce you to 10 British female artists from all ranks of life.
Continue readingShades of Blue: Discovering new colours in the 18th Century
The 18th century sees an increase in scientific knowledge and practical research. Many findings have a direct impact on everyday life, craft and commerce. New technics allows, e.g., to create new colours. Find out here what Napoleon’s Campaign in Egypt, the Prussians and an apothecary have to do with the various blue pigments created in the long 18th century.
The craze for transparencies
Transparencies – translucent hand-coloured prints or drawings – became common from around the 1770s. Their popularity peaked from the 1790ies until well into the early 19th century.
Transparencies were displayed at home or, in larger size, at nearly every kind of festivity from assemblies and dinners to astronomical lectures and theatres. You would find them at fairs, pleasure gardens and public celebrations.
Continue readingTravelling with Turner: Exploring the Swiss Alps in 1802
Around the turn of the 19th century, Joseph Mallord William Turner was a young, restless painter, always on the lookout for inspiration for his art. After having toured many parts of Britain, he planned to visit the Continent. He was especially interested in the awe-inspiring, romantic Swiss Alps – considered by many a rocky, dangerous wasteland. Thus, aged about 27, and still being an unknown artist, he decided to follow his plans through. Let’s accompany him on his first ever trip abroad.
Continue readingMaking watercolour-paper as it was done in the Regency period
– A photo story about a traditional craft –
In the Romantic Age as well as today, high-quality watercolour-paper for artists is the so called wove paper ready-sized with gelatine. This paper is still produced at Two Rivers Paper Mill in Somerset, England. I went there to learn more about this traditional craft. You can read about my field trip to their workshop here.
This is how the paper is made:
A Traditional Craft: Making Watercolour-Paper
In this post:
The traditional making of watercolour-paper
Watercolour-painting’s Golden Age
Technical innovations at the service of art
How to use making watercolour-paper or watercolouring in your Regency Novel
The pleasant village of Roadwater lies a couple of miles behind us, and the small road leads into a forest. We are on a field research trip to Two Rivers Paper Mill in Somerset/UK to learn about the traditional production of watercolour paper. Exploring the Regency period can be exciting – and might include loosing the way. We are about to turn the car, when we see a white building with a black slate roof. It is Two Rivers Paper Mill, built in the 1680ies. In the Georgian era, the mill was a thriving corn mill, known as Pitt Mill. Today, the mill is a centre of the traditional production of a paper that was vital for the latest trend in arts during the Romantic Age: high-quality watercolour-paper.
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